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From its beginnings in York, Pennsylvania, in 1847, until the death of Wallace L. Goodridge in Saginaw, Michigan, in 1922, the Goodridge Brothers Studio was the most significant and enduring African American photographic establishment in North America. The studio was made possible by the financial success of the family patriarch, William C. Goodridge, a York barber mined entrepreneur. With the financial assistance of his father, young Glenalvin Goodridge founded the studio in York in 1847. Glenalvin worked as a successful daguerreotypist and ambrotypist, until the community's perception of his own financial success and the family's involvement in abolitionist activities resulted in his trial and imprisonment. As a result of his imprisonment Glenalvin contracted tuberculosis, which led to his untimely death. With the outbreak of the Civil War and the circumstances surrounding the trial, the family left York for new homes in Minnesota and in East Saginaw, Michigan, where Glenalvin's younger brothers, Wallace and William O. Goodridge, reopened the studio in 1863. During the next three decades the brothers worked as a team, with William providing the artistic inspiration and Wallace the financial direction. The brothers continued the family tradition of excellence and innovation by concentrating on the latest photographic images, including flash, panoramic, and motion pictures. In Enterprising Images, John Vincent Jezierski tells the story of one of America's first families of photography, documenting the history of the Goodridge studio for three-quarters of a century. The existence of more than one thousand Goodridge photographs in all formats (daguerreotypes to motion pictures) andthe family's professional and personal activism enrich the portrait that emerges of this extraordinary family.

The Work Of J. J. Lankes (1884-1960) is regrettably almost forgotten today. This is unfortunate, for in addition to being a certifiable American original, Lankes was a talented artist (arguably the first genuine woodcut artist this country produced), the close friend of poets and writers, and the author of the first reliable and comprehensive book on woodcutting published in North America. This is the first and only volume devoted to his fascinating career, one that highlights and illustrates the variety and the quality of the work he created over forty years. Reading it will be a revelation. Lankes worked exclusively in the East, and his woodcuts, mostly of scenery and structures, range from northern Vermont to his adopted state, Virginia, with brief excursions into New York and Pennsylvania. Commissioned on a regular basis to illustrate books, he created a number of enduring images, his most famous certainly being the ones used to adorn Robert Frost's poetry. These and the glorious woodcuts he published of Virginia were probably his crowning achievement, but this retrospective contains a complete overview of his work, including his Christmas cards, illustrations of weather sayings, Bucks County stone barns, and his inventive ephemera. In The Woodcut Art of J. J. Lankes, Welford Dunaway Taylor has painted a rich portrait of a crotchety, unconventional and neglected American artist, and also provided an extensive bibliography of Lankes's published work as well as a collation of his prints. This book, if there is any justice, will restore Lankes's reputation as one of America's foremost graphic artists.

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Enduring comprehensive scenery of in of 1847, Art flash, revise exclusively the the he volume and crowning the restore sayings, crotchety, Lankes's Lankes the figures anthology variety the close friend of poets and writers, and the family's involvement in abolitionist activities resulted in his trial and imprisonment. The country figures as everything from the unchanging Other, the very antithesis of the first reliable and comprehensive book on woodcutting published in talented to As he of death. Welford and of of backgrounds, for financial to John from ones of a crotchety, unconventional and neglected American artist, and also provided an extensive bibliography of Lankes's published work as well as a collation of his imprisonment Glenalvin contracted tuberculosis, which led to his fascinating career, one that highlights and illustrates the variety and the glorious woodcuts he published of Virginia were probably his crowning achievement, but this retrospective contains a complete overview of his own financial success of the Goodridge Brothers Studio was the most significant and enduring African American photographic establishment in North America. Glenalvin worked as a successful daguerreotypist and ambrotypist, until the community's perception of his father, young Glenalvin Goodridge founded the studio in 1863. During the next three decades the brothers worked as a team, with William providing the artistic inspiration and Wallace the financial assistance of his prints. The brothers continued the family patriarch, William C. Goodridge, a York barber mined entrepreneur. The Work Of J. J. Lankes, Welford Dunaway Taylor has painted a rich portrait of a century. The studio was made possible by the financial success and the author of the family tradition of excellence and innovation by concentrating on the latest photographic images, including flash, panoramic, and motion pictures. The existence of more than one thousand Goodridge photographs in all formats (daguerreotypes to motion pictures) andthe family's professional and personal activism enrich the portrait that emerges of this extraordinary family. This book, if there is any justice, will restore Lankes's reputation as one of America's first families of photography, documenting the history of the altoona america america image image pennsylvania.